Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
Featured
Taiwan
Review: “Old Fox” Shines With Exemplary Acting and Nuanced Take on Inequality
By
Brian Hioe
Japan
Review: “The Boy and the Heron” Sees Hayao Miyazaki Returning to the World of Fantasy for a New Adventure and a Bittersweet Farewell
By
Kieran Davey
Taiwan
Review: “Seven Days in Heaven” Blends Youthful and Flippant Rebellion With Distinct Taiwanese Flavor
By
Brian Hioe
Pakistan
Review: Saim Saqid’s “Joyland” Explores Gender and Family in Pakistan
By
JM Sarmiento
Thailand
Thai Twin Directors Wanweaw and Weawwan Hongvivatana Talk “You & Me & Me”, Their Charming Debut Movie
By
Anthony Kao
Taiwan
Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens
By
Brian Hioe
South Korea
Review: Korean Action Thriller “Kill Boksoon” Offer Social Relevance and Emotional Undercurrents
By
JM Sarmiento
China
Review: Chinese Sci-fi Prequel “The Wandering Earth II” Offers Epicness Amidst Subdued Times
By
Anthony Kao
South Korea
Review: Netflix’s “The Glory” Is a Revenge K-Drama Highlighting the Pains of School Violence
By
Jianne Soriano
United Arab Emirates
Review: With “The Ambush”, the UAE Tries Buying A Hollywood War Movie
By
Anthony Kao
More Articles