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Interview: “Ilo Ilo” and “Wet Season” Director Anthony Chen Talks Casting, Honesty, and Being Away From Home

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Singaporean director Anthony Chen discusses his films "Wet Season" and "Ilo Ilo"—and tells us why he found "Crazy Rich Asians" offensive.

Review: Netflix’s “Dead Kids” Mixes High School Drama With The Philippine Drug War

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"Dead Kids" is an otherwise unremarkable high school drama, save for its commentary on classism in the contemporary Philippines.

Review: “A Sun” Is A Meticulous Family Drama Worthy of Its Golden Horse Awards

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Taiwanese director Chung Mong-hong's "A Sun" weaves an intricate and entertaining tale of family misfortune.

Review: Chinese Animation “White Snake” Bites but Doesn’t Catch On

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Despite decent production quality, China’s “White Snake” falls victim to sloppy storytelling and surprising salaciousness.

Review: “Better Days” Overcomes Censors to Explore Teen Bullying in China

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Banned by Chinese censors for a year, "Better Days" gets its big reveal with dark undertones about high school bullying.

Review: “Perempuan Tanah Jahanam” Features Joko Anwar’s Trademark Use of Indonesian Symbols to Tell a Chilling Tale 

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Joko Anwar's latest movie is a ghost story—but it's less horror flick and more Javanese cultural exposition

Review: “The Perfect Candidate” Shows Saudi Arabia’s Evolving Women’s Rights Landscape

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Director Haifaa Al-Mansour’s “The Perfect Candidate” depicts the challenges a female doctor faces when she runs for local office in Saudi Arabia.

Why “Parasite” Is Bong Joon-ho’s Biggest Hit and Darkest Film Yet

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“Parasite” speaks to Korean audiences’ real-life woes in an intricately crafted and empathetic manner.

Review: “Promare” Challenges Animation’s Constraints Through A World On Fire

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Studio Trigger’s theatrical debut is equal parts a visual marvel and a boisterous shout for the West to catch up with Japanese animation.

Review: Netflix’s “Vagabond” Stars Suzy In An Entertaining Conspiracy Thriller

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Lee Seung-gi and Suzy star in a K-drama, now streaming on Netflix, that entertains audiences and hints at Korea’s geopolitical status.

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