Explore and connect the world through a cinematic lens
Ai Weiwei asks Europe: You accepted me as a refugee, but what about the rest of us?
Hunger-inducing food scenes and an exploration of Singaporean identity come together in Eric Khoo's latest hit.
PASKAL shows off the skill of Malaysia's Special Forces -- but is it more than Malaysian propaganda?
Jia Zhangke's "Ash is Purest White" makes us wonder where stubbornly idiosyncratic auteurs belong in contemporary China.
Vietnam’s answer to “Taken” arrives—but with a female lead taking charge.
One of Taiwan's best films of 2018, "Dear Ex" offers an emotionally complex look at a modern family.
CE reveals the top Filipino films of 2018—across not just romance, but also historical, action, family, drama, and other genres.
Motoring enthusiasts will appreciate Han Han’s latest film “Pegasus,” even if lovers of narrative technique may not.
In Ning Hao's "Crazy Alien", the Chinese everyman gets a laugh at America's expense.
Exes Baggage reminds us to be thankful for the lessons our previous relationships taught us, and not be afraid to love again