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Eight promising Asian movies — by directors like Bong Joon-ho and Takashi Miike— screening at 2019's Cannes Film Festival.
Filmed in 14 days on a budget of $250,000, the Last Sunrise leaves a different impression on what home-grown, Chinese science fiction has to offer...
“One Child Nation” confronts the untold history of China’s One-Child Policy with a personal and empathetic touch
Ai Weiwei asks Europe: You accepted me as a refugee, but what about the rest of us?
Jia Zhangke's "Ash is Purest White" makes us wonder where stubbornly idiosyncratic auteurs belong in contemporary China.
Motoring enthusiasts will appreciate Han Han’s latest film “Pegasus,” even if lovers of narrative technique may not.
In Ning Hao's "Crazy Alien", the Chinese everyman gets a laugh at America's expense.
Frant Gwo blends sci-fi with apocalypse extravaganza in the film based on Liu Cixin’s eponymous short story.
Director Matt Wu discusses the dichotomy between darkness and brightness -- and what it was like working with his wife on set
Cinema Escapist reveals the top Chinese films from 2018, across genres like romance, action, drama, and more.