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Jianne Soriano

Based in Japan, Jianne Soriano is a Staff Writer focusing on Asian cinema.

Philippines

Review: “12 Weeks” Grapples with Reproductive Rights in the Philippines, Amidst Patriarchy and Conservatism

By Jianne Soriano

Hong Kong

Review: “In Broad Daylight” Shows Bleak State of Hong Kong Journalism and Care Homes

By Jianne Soriano

Japan

Review: With “Monster”, Hirokazu Kore-eda Redeems Himself By Exploring Tumultuous Youth and Misunderstandings

By Jianne Soriano

Hong Kong

Review: “The Sunny Side of the Street” Scratches the Surface of Hong Kong Refugees’ Experiences

By Jianne Soriano

Thailand

Review: Netflix Thai Movie “Hunger” Uses Food to Examine Class Divides and Ambition

By Jianne Soriano

South Korea

Review: Korean Action Thriller “Kill Boksoon” Offer Social Relevance and Emotional Undercurrents

By Jianne Soriano

South Korea

Review: Disney+’s Philippine-set K-Drama “Big Bet” Gambles on a Complex Rags-to-Riches Story

By Jianne Soriano

South Korea

Review: Netflix’s “The Glory” Is a Revenge K-Drama Highlighting the Pains of School Violence

By Jianne Soriano

Japan

Review: “My Small Land” Offers an Intimate Look at Kurdish Refugees in Japan

By Jianne Soriano

Cambodia

Review: Davy Chou’s “Return to Seoul” Is a Soulful Exploration of Transnational Identity and Culture Clash

By Jianne Soriano

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