Hong Kong

Hong Kong

Review: Omnibus “Septet: the Story of Hong Kong” Shows Seven Masters in Varying Agreement

By

Hong Kong

Review: “We Don’t Dance for Nothing” Enchants with Its Sensuous Story of a Hong Kong Migrant Worker

By

Hong Kong

Review: MIRROR Boyband-Starrer “Mama’s Affair” Needs More of Mama’s Maturity

By

Hong Kong

Review: Comedy-Drama “We Are Family” Transplants Rental Families to Hong Kong

By

Hong Kong

Review: Hong Kong Sports Biopic “Zero to Hero” is Safe, Unlike its Trailblazing Subject

By

Hong Kong

Review: Hong Kong Neo-noir “Limbo” Is Dark in More Ways Than One

By

Hong Kong

Review: Hong Kong Biopic “Anita” Merely Strives for Mediocrity

By

Hong Kong

Review: “Blue Island” Showcases The Many Repetitions of Hong Kong History

By

Hong Kong

Review: “Time” Laments Aging in an Uneven Bag of Comedy, Action, and Drama

By

Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

By