Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
South Asia
Pakistan
Review: “Gymnasts of Fisherman Colony” Candidly Explores Social Dynamics for Young Pakistani Women
By
Brian Hioe
India
Indian Classics Remastered: Retrospecting on “Sholay” and “Days and Nights in the Forest” at 2025’s Toronto International Film Festival
By
Kieran Davey
India
Satyajit Ray: Remembering India’s Most Celebrated Filmmaker
By
Kieran Davey
India
Review: India’s First Cannes Grand Prix Winner “All We Imagine As Light” Is a Gentle Exploration of Womanhood
By
Kieran Davey
Bhutan
Review: Bhutan’s “The Monk and the Gun” Is A Warm-Hearted Satire of Modernity and Western Culture
By
Kieran Davey
Pakistan
Review: Saim Saqid’s “Joyland” Explores Gender and Family in Pakistan
By
Jianne Soriano
India
Review: “Sardar Ka Grandson” Attempts a Heartwarming Post-Partition Story, but Lacks Necessary Depth
By
Srujana Yadlapalli
India
Interview: “Revenge Tour” Filmmakers Andrew Carter and Kahlil Maskati Connect Cultures Through Music
By
Arjun Baokar
India
Review: “Pebbles” Is a Modest and Intimate Walk Through Tamil Nadu
By
Brian Hioe
India
Review: “The Great Indian Kitchen” Showcases the Subtle Suffering of Women in Indian Households
By
Anuj Chakrapani
More Articles