Cinema Escapist is a web publication with a mission to explore and connect the world through a cinematic lens.
To this end, we don’t focus on Hollywood. Instead, we comment on international films and television using a unique bent.
Normal critics ask: “why is this movie good or bad?”
We ask: “what can you learn from this movie, and why does it matter?”
This distinct focus has allowed us to…
- Interview filmmakers/actors from 15+ countries including Syria and Ukraine
- Get advance movie/TV screeners from partners like HBO.
- Provide updates from events like the Berlin International Film Festival.
We take this approach because media and society are intimately intertwined. Movies, television, and other visual media are not only art, but also portals for intellectual discovery. Intentionally or not, they reflect the politics, history, geography, and culture of the societies that produce them.
Therefore: by better understanding media from different parts of the world, we can bridge cultures and create opportunities for mutual understanding.
Anthony Kao, Founder and Editor-in-Chief
By day, Anthony is a Product Manager at Khan Academy in Silicon Valley. By night, he runs and writes for Cinema Escapist. Anthony has an intellectual fascination with East Asian politics and totalitarian regimes like North Korea and East Germany. His favorite films include Empire of the Sun, Yi Yi, and The Fog of War.
Richard Yu, China & Asia Editor and Co-Founder
Richard is currently living in China working on tech startups, though he originally hails from California. He dreams of spreading Asian cinema — especially Chinese tragi-romances — around the world His favorite films include My Old Classmate and The Battle of Red Cliff.
Akshay Suggula, South Asia Editor and Co-Founder
Akshay is on the M&A and VC team at PayPal, helping them buy and invest in world-class, next generation Fintech companies. “Cinema deciphers the soul”, or so he says. His favorite films include Lost in Translation and Whisper of the Heart.
Jordan Li, Staff Writer
Jordan is an undergraduate at Cal Poly San Luis Obispo whose specialties lie in military history and aviation. His favorite films include Time of Eve and Good Will Hunting.
Jake Goldwasser, Europe Editor
Jake is a polyglot and coordinates translations for Khan Academy. In addition to language, he is interested in poetry, cartooning, DIY, color, music, myth, and geography. Some of his favorite movies are Psycho, Annie Hall, In Bruges, The Lives of Others, and Brooklyn.
Sharon Rwakatungu, Staff Writer
Born and raised in Uganda, Sharon’s main contribution to the African film industry is through a weekly film podcast called Cinema Red Pill. She dreams of becoming a filmmaker someday. Her favorite films include Bamako, Punch-Drunk Love, and Grave of the Fireflies.
Oscar Harding, Africa & Diaspora Editor
British-born Irishman Oscar has been engaged with the cinema of the African continent and Diaspora for several years now. He previously worked on the Jordanian Academy Award-nominee Theeb and various other films, TV series, documentaries, and VR Projects. His favorite films include The Dark Knight, Cinema Paradiso, White God, Oldboy, and Pan’s Labyrinth.
Leo Schwartz, Latin America Editor
Leo is a content junkie and has mostly worked in media on the dreaded side of PR. He has lived in Buenos Aires and Spain and is excited to spend all of his time watching Latin American movies in a productive manner. His favorite films include Amores Perros, Y Tu Mamá También, The Master, Wet Hot American Summer, and Synecdoche, New York.
Boukary Sawadogo, Staff Writer
Boukary is Assistant Professor of Cinema Studies at the City College of New York. He has published extensively on African cinema. Outside the classroom, he runs a Facebook page and YouTube channel on “African Cinema Talk Series”, and is also the producer and director of a comic web series on the experience of West African immigrants in New York City.
Katy Stewart, Staff Writer
Katy grew up on a diet of musicals, Westerns, and Audrey Hepburn films, but developed a love of independent cinema from around the world through learning foreign languages. She is a PhD Candidate at the University of Sheffield researching Francophone and Lusophone African cinema in the digital age. Her favorite films include Timbuktu, Girlhood, and My Fair Lady.
Emily Hsiang, Staff Writer
Emily is a film editor with a background in Anthropology and strong interests in popular culture and mass media. Her past works include documentaries (Hanzi, Maker) and narrative films (sci-fi Paradoxical, thriller The Very Last Day). Her favorite films include Mad Max: Fury Road, The Wedding Banquet, and Clueless.
Margaret Redlich, Staff Writer
Margaret currently works at a software start-up and has a masters in media studies from DePaul University, and is also the author of the book Don’t Call It Bollywood and the blog www.dontcallitbollywood.com. She has been a devoted fan of Indian film for the past 13 years ever since she saw Dilwale Dulhania Le Jayenge on the big screen and fell in love with Shahrukh Khan. Her favorite films include Dilwale Dulhania Le Jayenge, Bahubali, and Ohm Shanthi Oshaana.
Timothy Niwamanya, Staff Writer
Timothy is a writer and filmmaker based in Uganda’s capital city of Kampala. He is also one of the people behind the Ugandan film podcast Cinema Red Pill. His favorite films are I Vitelloni, Come Back Africa, Persona, Goodfellas, Memento, Requiem for a Dream, and Viva Riva!
Fred Han, Staff Writer
A recent graduate of Ohlone College with a degree in Respiratory Therapy, Fred is an amateur badminton player and a huge fan of romantic comedy Korean dramas. Fred came to the US from Korea when he was in 3rd grade. His favorite films/K-dramas include Inception, A Taxi Driver, Oh My Ghost, and Sungkyunkwan Scandal.
Matt Gill, Staff Writer
A recent Muhlenberg College graduate, Matt is a Queens-based writer who divides his time between freelance film writing and an internship at Civilian Magazine. Though he asserts that the only movie that has ever made him cry is Quincy, a few that get him close are George Washington, Ali: Fear Eats the Soul, Inside Llewyn Davis, and Old Joy.
Cinema Escapist is a 501(c)(3) non-profit organization registered with the United States Internal Revenue Service and California’s Secretary of State. Our Federal Tax ID number is 83-0922032.
To get in touch, please refer to the information on our contact page.