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Taiwan

Review: “She’s Talking in Island” Depicts A Roving Dialog Between Taiwan’s Sunflower Generation and Gen Z

By Brian Hioe

Taiwan

Review: Recently Restored Taiwanese Film “Teenage Fugitive” Peeks Back at Tsai Ming-liang’s Earlier Output

By Brian Hioe

Taiwan

Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens

By Brian Hioe

China

Review: “Dear Mother I Meant to Write About Death” Offers a Powerful Look at Mortality and Mother-Daughter Relations

By Brian Hioe

China

Review: “The Cord of Life” Explores Modernity v. Tradition in Inner Mongolian Music

By Brian Hioe

China

Review: “Factory Boss” Offers a Sympathetic But Nuanced View of Chinese Factory Managers

By Brian Hioe

China

Review: Chinese Sci-fi Prequel “The Wandering Earth II” Offers Epicness Amidst Subdued Times

By Anthony Kao

Taiwan

The 10 Best Taiwanese Movies of 2022

By The Editors

Singapore

Review: “No New Wave” Brilliantly Captures The Lives of Chinese Filmmakers in New York City

By Brian Hioe

Taiwan

Review: “Terrorizers” Pales in Comparison to its Edward Yang Namesake

By Brian Hioe

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