Cinema Escapist
Explore and connect the world through a cinematic lens
Review: “Ash Is Purest White” Stands Stubbornly Still While China Moves Forward
BY Anthony Kao
Jia Zhangke's "Ash is Purest White" makes us wonder where stubbornly idiosyncratic auteurs belong in contemporary China.
Review: Taiwan’s “Dear Ex” Tells An Offbeat And Poignant Family Story
BY Anthony Kao
One of Taiwan's best films of 2018, "Dear Ex" offers an emotionally complex look at a modern family.
The 10 Best Pinoy Movies of 2018
BY Anthony Kao
CE reveals the top Filipino films of 2018—across not just romance, but also historical, action, family, drama, and other genres.
Review: “Pegasus” Is A Story of Car Racing and Redemption
BY Anthony Kao
Motoring enthusiasts will appreciate Han Han’s latest film “Pegasus,” even if lovers of narrative technique may not.
“A Taiwanese Tale of Two Cities” Offers Wholesome Cross-Cultural Connection
BY Anthony Kao
This Netflix drama series highlights life in Taipei and San Francisco, encouraging viewers to celebrate differences along the way.
Review: “Ten Years Taiwan” Reminds Us How Taiwan Has Problems Besides China
BY Anthony Kao
This anthology of five short films artistically illustrates the diversity of Taiwan's woes.
“Buffalo Boys” Is the Perfect Western for a Post “Crazy Rich Asians” World
BY Anthony Kao
"Buffalo Boys" director Mike Wiluan suggests that Asian diaspora can look East for a home—and films with strong Asian leads.
The 11 Best Korean Movies of 2018
BY Anthony Kao
Cinema Escapist reveals the top South Korean films from 2018, across genres like espionage, romance, drama, and more.
Review: “Take Point” Is an Action-Packed Critique of Political Selfishness
BY Anthony Kao
This Korean action movie featuring private military contractors offers many explosions—and biting, timely political critiques.
The 11 Best Japanese Movies of 2018
BY Anthony Kao
Cinema Escapist reveals the top Japanese films from 2018 across genres like animation, family dramas, zombies, and more!