Cinema Escapist
Explore and connect the world through a cinematic lens
Review: Netflix’s “Nowhere Man” Goes Nowhere With Confusing Plot
BY Anthony Kao
Netflix’s first standalone Taiwanese TV series aims high but falls short with muddled crime narrative.
Review: HBO’s “The World Between Us” Showcases Taiwan’s Democratic Norms
BY Anthony Kao
Crime drama “The World Between Us” has won fans on both sides of the Taiwan Strait—and now streams for US audiences.
Review: Netflix’s “Vagabond” Stars Suzy In An Entertaining Conspiracy Thriller
BY Anthony Kao
Lee Seung-gi and Suzy star in a K-drama, now streaming on Netflix, that entertains audiences and hints at Korea’s geopolitical status.
Justin Chon’s “Ms. Purple” Pays Homage to Asian Cultural Legacies
BY Anthony Kao
"Gook" director’s sophomore feature tells a poignant, female-centric story of family burdens.
Review: Netflix Thriller “Victim Number 8” Critiques Europe’s Nativist Resurgence
BY Anthony Kao
Now on Netflix, Spain’s “Victim Number 8” is a conspiracy thriller with pro-tolerance undertones.
Review: “Hyper HardBoiled Gourmet Report” Is Japan’s Gonzo Answer to “Parts Unknown”
BY Anthony Kao
Streaming on Netflix, this Japanese food show contains a fascinating blend of gonzo journalism and Terrace House-esque calm.
Review: “The Wolf’s Call” Shows France Still Has Military—And Cinematic—Relevance
BY Anthony Kao
Now streaming on Netflix, this submarine thriller reminds us France hasn't forgotten how to fire nukes and make entertaining movies.
Review: Political K-Drama “Chief of Staff” Tries Emulating “The West Wing”
BY Anthony Kao
Streaming now on Netflix, this K-drama dives into the details of Korean legislative politics—with mixed results.
The 10 Best Malaysian Movies on Netflix
BY Anthony Kao
Cinema Escapist reveals the best Malaysian movies streaming on Netflix, across genres like action, romance, drama, horror, and more.
Review: “The Gangster, The Cop, The Devil” Blends Korean Crime and Justice
BY Anthony Kao
Starring Ma Dong-seok, this action movie blends classic Korean crime archetypes into something new and entertaining, though not necessarily memorable.