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Kieran Davey

Kieran Davey is a freelance writer of film and music criticism, based in Vancouver.

France

Review: Beautifully Animated “Little Amélie or the Character of Rain” Explores Childhood and Cultural Identity

By Kieran Davey

Japan

How Yasujirō Ozu’s Films Push Back on Traditional Structures in Japanese Society

By Kieran Davey

India

Satyajit Ray: Remembering India’s Most Celebrated Filmmaker

By Kieran Davey

Palestine

Review: “No Other Land” Is a Powerful and Immediate Document of the Destruction of West Bank Communities

By Kieran Davey

Iran

Review: “The Seed of the Sacred Fig” Is an Urgent Drama of Violence, Paranoia and Female Empowerment

By Kieran Davey

India

Review: India’s First Cannes Grand Prix Winner “All We Imagine As Light” Is a Gentle Exploration of Womanhood

By Kieran Davey

Japan

Review: “The Boy and the Heron” Sees Hayao Miyazaki Returning to the World of Fantasy for a New Adventure and a Bittersweet Farewell

By Kieran Davey

Bhutan

Review: Bhutan’s “The Monk and the Gun” Is A Warm-Hearted Satire of Modernity and Western Culture

By Kieran Davey

Mexico

Review: Mexican Drama “Tótem” Is An Unforgettable Ode to Familial Chaos and Love

By Kieran Davey

Japan

Review: Eco-Fable “Evil Does Not Exist” Marks Ryûsuke Hamaguchi’s Post-Oscar Return

By Kieran Davey

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