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Kieran Davey

Kieran Davey is a freelance writer of film and music criticism, based in Vancouver.

Latvia

Review: “Minotaur” Is a Clinical Examination of an Unfaithful Marriage in Wartime Russia

By Kieran Davey

Japan

Review: Hirokazu Kore-eda’s “Look Back” is a Loving Ode to Friendship and Art

By Kieran Davey

South Korea

Review: Lee Chang-dong’s “Possible Love” Is a Novelistic Exploration of Capitalism and Relationships

By Kieran Davey

Japan

Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas

By Kieran Davey

Germany

Review: “Fatherland” Is Stunning, Somber, and Seriously Sleepy

By Kieran Davey

Romania

Review: “Fjord” Is a Provocative, Probing Examination of Cultural Assimilation and Clashing Values

By Kieran Davey

Iran

Review: Nearing Its 30th Anniversary, Makhmalbaf’s “A Moment of Innocence” Still Shines with Optimism and Humor

By Kieran Davey

Belgium

Review: “News From Home” Is A Slow Cinema Snapshot of 1970’s New York

By Kieran Davey

France

Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit

By Kieran Davey

South Korea

Review: Emotional Korean Drama Film “The World of Love” Explores Trauma and Resilience with Delicacy and Nuance

By Kieran Davey

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