Cinema Escapist

Explore and connect the world through a cinematic lens

Menu
About Contact Write for Us
  • Africa
  • Asia
    East Asia Southeast Asia South Asia
  • Europe
  • Latin America
  • Middle East
About
Contact
Write for Us

France

Latvia

Review: “Minotaur” Is a Clinical Examination of an Unfaithful Marriage in Wartime Russia

By Kieran Davey

Japan

Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas

By Kieran Davey

Romania

Review: “Fjord” Is a Provocative, Probing Examination of Cultural Assimilation and Clashing Values

By Kieran Davey

Belgium

Review: “News From Home” Is A Slow Cinema Snapshot of 1970’s New York

By Kieran Davey

France

Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit

By Kieran Davey

France

Review: Beautifully Animated “Little Amélie or the Character of Rain” Explores Childhood and Cultural Identity

By Kieran Davey

Ivory Coast

Review: “Black Tea” Uses Taiwanese Funds to Promote China’s Belt and Road

By Anthony Kao

Cambodia

Review: Davy Chou’s “Return to Seoul” Is a Soulful Exploration of Transnational Identity and Culture Clash

By Jianne Soriano

Spain

Review: “The Beasts” Is A Gripping Galician Rural Thriller With Layers Beneath The Surface

By Kieran Davey

Lists

The 11 Best Global Pandemic Movies

By The Editors

Follow CE

Sections

Africa

East Asia

Southeast Asia

South Asia

Europe

Latin America

Middle East

More

About

Contact

Write for us

© 2014-2026 Cinema Escapist, a 501(c)3 non-profit organization. All rights reserved.