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VIFF
Belgium
Review: “News From Home” Is A Slow Cinema Snapshot of 1970’s New York
By
Kieran Davey
France
Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit
By
Kieran Davey
India
Satyajit Ray: Remembering India’s Most Celebrated Filmmaker
By
Kieran Davey
Palestine
Review: “No Other Land” Is a Powerful and Immediate Document of the Destruction of West Bank Communities
By
Kieran Davey
Iran
Review: “The Seed of the Sacred Fig” Is an Urgent Drama of Violence, Paranoia and Female Empowerment
By
Kieran Davey
India
Review: India’s First Cannes Grand Prix Winner “All We Imagine As Light” Is a Gentle Exploration of Womanhood
By
Kieran Davey
Japan
Review: “The Boy and the Heron” Sees Hayao Miyazaki Returning to the World of Fantasy for a New Adventure and a Bittersweet Farewell
By
Kieran Davey
Bhutan
Review: Bhutan’s “The Monk and the Gun” Is A Warm-Hearted Satire of Modernity and Western Culture
By
Kieran Davey
Mexico
Review: Mexican Drama “Tótem” Is An Unforgettable Ode to Familial Chaos and Love
By
Kieran Davey
Japan
Review: Eco-Fable “Evil Does Not Exist” Marks Ryûsuke Hamaguchi’s Post-Oscar Return
By
Kieran Davey
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