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Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

By Justin Chor Yu Liu

Malaysia

Review: Namewee’s “Babi” Offers Dark Allegory of Malaysian Race Relations

By Anthony Kao

Hong Kong

Review: “Raging Fire” Is an Exciting but Unoriginal Hong Kong Cop Drama

By Richard Yu

South Korea

Review: “Escape from Mogadishu” Views North-South Korea Relations Through a Pragmatic Lens

By Anthony Kao

Hong Kong

Review: Hong Kong Film “The Way We Keep Dancing” Chooses Not To Sell Out

By Justin Chor Yu Liu

Japan

Review: “A Family” Shows the Yakuza Aren’t so Glorious Anymore

By Anthony Kao

India

Review: “Sardar Ka Grandson” Attempts a Heartwarming Post-Partition Story, but Lacks Necessary Depth

By Srujana Yadlapalli

South Korea

Review: Netflix’s “Sweet & Sour” Shows Modern Korean Romance’s Socioeconomic Realities

By Anthony Kao

China

Review: “Tian Guan Ci Fu” Is an Exciting LGBTQ Romance Anime from China

By Xingting Gong

Japan

Review: “Demon Slayer: Mugen Train” Elevates the Pathos and Spectacle of its Anime

By Elizabeth Li

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