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Pakistan
Review: Saim Saqid’s “Joyland” Explores Gender and Family in Pakistan
By
JM Sarmiento
Thailand
Thai Twin Directors Wanweaw and Weawwan Hongvivatana Talk “You & Me & Me”, Their Charming Debut Movie
By
Anthony Kao
Taiwan
Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens
By
Brian Hioe
South Korea
Review: Korean Action Thriller “Kill Boksoon” Offer Social Relevance and Emotional Undercurrents
By
JM Sarmiento
China
Review: Chinese Sci-fi Prequel “The Wandering Earth II” Offers Epicness Amidst Subdued Times
By
Anthony Kao
South Korea
Review: Netflix’s “The Glory” Is a Revenge K-Drama Highlighting the Pains of School Violence
By
Jianne Soriano
United Arab Emirates
Review: With “The Ambush”, the UAE Tries Buying A Hollywood War Movie
By
Anthony Kao
South Korea
Review: “Next Sohee” Captures the Emotional and Systemic Exploitation of South Korea’s Youth
By
Jianne Soriano
Portugal
Review: Documentary “Cesária Évora” Is A Loving Testament to the Legendary Cabo Verdean Singer
By
Kieran Davey
Singapore
Singapore Director Ken Kwek’s “#LookAtMe” Probes At Censorship and Homophobia
By
Anthony Kao
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