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Taiwan
Review: Taiwanese-Language Comedy “Good Neighbors” Proves Valuable and Entertaining Historical Text
By
Brian Hioe
Latvia
Review: “Minotaur” Is a Clinical Examination of an Unfaithful Marriage in Wartime Russia
By
Kieran Davey
Japan
Review: Hirokazu Kore-eda’s “Look Back” is a Loving Ode to Friendship and Art
By
Kieran Davey
South Korea
Review: Lee Chang-dong’s “Possible Love” Is a Novelistic Exploration of Capitalism and Relationships
By
Kieran Davey
Japan
Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas
By
Kieran Davey
Germany
Review: “Fatherland” Is Stunning, Somber, and Seriously Sleepy
By
Kieran Davey
Romania
Review: “Fjord” Is a Provocative, Probing Examination of Cultural Assimilation and Clashing Values
By
Kieran Davey
China
Review: “Once Upon a Time in the Middle East” Compellingly Reimagines the Iraq War From a Chinese Perspective
By
Anthony Kao
China
Review: Teochew Hit “Dear You” Is Great Melodrama, But Doesn’t Fix China’s Soft Power Deficits
By
Anthony Kao
Taiwan
Review: “Afterword” Bridges Taipei and New York in a Metatextual Examination of Fiction
By
Brian Hioe
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