Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
2025
Singapore
Review: “A Good Child” Is a Drag Queen’s Tender Tale of Family, Identity and Healing
By
Jianne Soriano
Taiwan
Review: “A Chip Odyssey” Lionizes Taiwan’s Semiconductor Pioneers and Looks to a Turbulent Future
By
Anthony Kao
China
Review: “As the Water Flows” Is a Warm Family Drama With Whiffs of “Eat Drink Man Woman”
By
Brian Hioe
China
Review: “The Homeless” Offers Well-Intentioned But Meandering Look At China’s Unhoused
By
Brian Hioe
Hong Kong
Review: Hong Kong’s “Queerpanorama” Is Uneven and Mysterious but Beautifully Shot
By
Brian Hioe
France
Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit
By
Kieran Davey
South Korea
Review: Emotional Korean Drama Film “The World of Love” Explores Trauma and Resilience with Delicacy and Nuance
By
Kieran Davey
Hong Kong
Review: “The Furious” Brings Together an All-Star Cast to Deliver Hard-Hitting Martial Arts Action
By
Kieran Davey
Taiwan
Review: “Left-Handed Girl” Is a Raw and Immersive Exploration of Taiwanese Culture and Familial Complexity
By
Kieran Davey
Japan
Review: NYC-Set Japanese Film “Dear Stranger” Gets Lost In Translation
By
Brian Hioe
More Articles