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Latvia
Review: “Minotaur” Is a Clinical Examination of an Unfaithful Marriage in Wartime Russia
By
Kieran Davey
Japan
Review: Hirokazu Kore-eda’s “Look Back” is a Loving Ode to Friendship and Art
By
Kieran Davey
South Korea
Review: Lee Chang-dong’s “Possible Love” Is a Novelistic Exploration of Capitalism and Relationships
By
Kieran Davey
Japan
Review: “All of a Sudden” Continues Hamaguchi’s Streak of Deeply Felt, Empathetic Dramas
By
Kieran Davey
Germany
Review: “Fatherland” Is Stunning, Somber, and Seriously Sleepy
By
Kieran Davey
Romania
Review: “Fjord” Is a Provocative, Probing Examination of Cultural Assimilation and Clashing Values
By
Kieran Davey
Taiwan
Review: “Last Night in Taipei” Aimlessly Meanders through its Chance Encounter Premise
By
Brian Hioe
Belgium
Review: “News From Home” Is A Slow Cinema Snapshot of 1970’s New York
By
Kieran Davey
France
Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit
By
Kieran Davey
India
Satyajit Ray: Remembering India’s Most Celebrated Filmmaker
By
Kieran Davey
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