Cinema Escapist
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Reviews
India
Review: Irrfan Khan’s “Blackmail” Is a Convoluted but Entertaining Ride to Depravity
By
Arjun Baokar
Senegal
Review: Mati Diop’s “Atlantics” Depicts Love Amid Desperation and Mysticism
By
Sharon Rwakatungu
South Korea
Review: “The World of the Married” Is an Intense, Controversial Drama About Extramarital Affairs
By
Jianne Soriano
Egypt
Review: “Cairo Station” Offers A Startlingly Prophetic Look At Toxic Masculinity
By
Timothy Niwamanya
Iran
Review: “Son-Mother” Dismantles A Family Unit In Mahnaz Mohammadi’s Heartbreaking Debut
By
Lorna Codrai
South Korea
Review: Season 2 of “Kingdom” Continues Themes of Politics and Class Struggle
By
Jianne Soriano
Taiwan
Review: Tsai Ming-liang’s “Days” Puts Aging and Mortality on Display
By
Kevin Lu
India
Review: “Shubh Mangal Zyada Saavdhan” Tries to Tackle Homophobia in Light-Hearted Rom-Com
By
Srujana Yadlapalli
South Korea
Review: “Time To Hunt” Blends Heist Thrills and Korean Economic Anxiety
By
Richard Yu
Colombia
Review: “Monos” Masterfully Depicts War’s Effects On Colombia’s Children
By
Oscar Harding
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