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France

Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit

By Kieran Davey

South Korea

Review: Emotional Korean Drama Film “The World of Love” Explores Trauma and Resilience with Delicacy and Nuance

By Kieran Davey

Hong Kong

Review: “The Furious” Brings Together an All-Star Cast to Deliver Hard-Hitting Martial Arts Action

By Kieran Davey

Taiwan

Review: “Left-Handed Girl” Is a Raw and Immersive Exploration of Taiwanese Culture and Familial Complexity

By Kieran Davey

Japan

Review: NYC-Set Japanese Film “Dear Stranger” Gets Lost In Translation

By Brian Hioe

India

Indian Classics Remastered: Retrospecting on “Sholay” and “Days and Nights in the Forest” at 2025’s Toronto International Film Festival

By Kieran Davey

Japan

Review: Mamoru Hosoda’s Hamlet-Inspired Anime “Scarlet” Lacks Method in its Madness

By Kieran Davey

Iran

Review: Palme d’Or Winner “It Was Just An Accident” is a Masterfully Crafted Thriller about the Nature of Justice

By Kieran Davey

Japan

Review: Japan’s “My Sunshine” Pairs Superb Acting and Skilled Storytelling in Figure Skating Character Drama

By Brian Hioe

South Korea

Review: Park Chan-wook’s “No Other Choice” Channels Tragic Absurdity

By Kieran Davey

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