Cinema Escapist
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Indonesia
Review: “Perempuan Tanah Jahanam” Features Joko Anwar’s Trademark Use of Indonesian Symbols to Tell a Chilling Tale
By
James Guild
Saudi Arabia
Review: “The Perfect Candidate” Shows Saudi Arabia’s Evolving Women’s Rights Landscape
By
Lorna Codrai
South Korea
Why “Parasite” Is Bong Joon-ho’s Biggest Hit and Darkest Film Yet
By
Minsoo Kim
South Korea
Review: “Battle of Jangsari” Gives A Little-Known Korean War Battle The Honor It Deserves
By
Richard Yu
Taiwan
Review: HBO’s “The World Between Us” Showcases Taiwan’s Democratic Norms
By
Anthony Kao
Japan
Review: “Promare” Challenges Animation’s Constraints Through A World On Fire
By
Elizabeth Li
China
Review: “The Climbers” Is a Birthday Present for the People’s Republic of China’s 70th Birthday
By
Richard Yu
Japan
Review: Takashi Miike’s “First Love” Is More Violent Than Romantic
By
Richard Yu
China
Review: “Send Me To The Clouds” Is a Feminist Exploration of Expectations Versus Reality
By
Emily Hsiang
South Korea
Review: Netflix’s “Vagabond” Stars Suzy In An Entertaining Conspiracy Thriller
By
Anthony Kao
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