Cannes

South Korea

Review: With “Colony”, Yeon Sang-ho Continues Coasting Off “Train to Busan’s” Momentum

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Japan

Review: Hirokazu Kore-eda’s “Sheep in the Box” Is a Muddled Take on Technology, Family, and Grief

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Iraq

Review: Iraqi Tragicomedy “The President’s Cake” Shows Innocence Eroding Amidst Incomplete Peace

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France

Review: Linklater’s “Nouvelle Vague” Recreates the Past, But Lacks Its Spirit

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Taiwan

Review: “Left-Handed Girl” Is a Raw and Immersive Exploration of Taiwanese Culture and Familial Complexity

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Iran

Review: Palme d’Or Winner “It Was Just An Accident” is a Masterfully Crafted Thriller about the Nature of Justice

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Japan

Review: Japan’s “My Sunshine” Pairs Superb Acting and Skilled Storytelling in Figure Skating Character Drama

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Iran

Review: “The Seed of the Sacred Fig” Is an Urgent Drama of Violence, Paranoia and Female Empowerment

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India

Review: India’s First Cannes Grand Prix Winner “All We Imagine As Light” Is a Gentle Exploration of Womanhood

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Japan

Review: With “Monster”, Hirokazu Kore-eda Redeems Himself By Exploring Tumultuous Youth and Misunderstandings

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