New York Asian Film Festival

Hong Kong

Review: “Time” Laments Aging in an Uneven Bag of Comedy, Action, and Drama

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Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

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Malaysia

Review: Namewee’s “Babi” Offers Dark Allegory of Malaysian Race Relations

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Hong Kong

Review: “All U Need is Love” is an Insipid and Vaguely Authoritarian Hong Kong COVID Comedy

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Japan

Review: In “Office Royale”, Japan’s Office Ladies Fight…to Preserve Patriarchy

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Hong Kong

Review: “Hand-Rolled Cigarette” Shows Cross-Racial Friendship in Hong Kong’s Underworld

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Japan

Review: “Under the Open Sky” Poignantly Depicts a Former Yakuza’s Societal Re-Entry

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Taiwan

Review: Taiwanese Animation “City of Lost Things” Brings Litter to Life

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South Korea

Review: “The Book of Fish” Brings A Small Joseon-era Fishing Village to Life

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Japan

Interview: Joe Odagiri On “They Say Nothing Stays the Same,” His Scenic Directorial Debut

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