Cinema Escapist
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Taiwan
Review: “Demigod: The Legend Begins” Breathes New Life Into Taiwanese Puppetry
By
Brian Hioe
Hong Kong
Review: Hong Kong Biopic “Anita” Merely Strives for Mediocrity
By
Justin Chor Yu Liu
China
Review: Chinese Animation “I Am What I Am” Tells A Working-Class Lion Dance Story
By
Brian Hioe
Taiwan
Review: Taiwanese Horror Movie “Incantation” Offers Familiar Shocks, But Not Innovation
By
Brian Hioe
South Korea
Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date
By
Justin Chor Yu Liu
China
Review: “Singing in the Wilderness” Thrusts A Miao Church Choir Into the Spotlight
By
Brian Hioe
Hong Kong
Review: “Blue Island” Showcases The Many Repetitions of Hong Kong History
By
Brian Hioe
Japan
Why Yasujirō Ozu’s Films Are Still Relevant Today
By
Kieran Davey
South Korea
Review: Netflix Sci-fi K-Drama “The Silent Sea” Shoots for the Moon, but Falls Short
By
Anthony Kao
South Korea
The 11 Best Korean Movies of 2021
By
The Editors
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