Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
East Asia
Hong Kong
Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema
By
Justin Chor Yu Liu
China
Review: “Wuhan Wuhan” Paints Humanistic Picture of Everyday Residents and Medical Workers at Start of COVID-19 Pandemic
By
Brian Hioe
Hong Kong
Review: “Raging Fire” Is an Exciting but Unoriginal Hong Kong Cop Drama
By
Richard Yu
China
Review: Documentary “Father” Sheds Insight on the Struggles of Two Generations in China’s 20th Century
By
Brian Hioe
Hong Kong
Review: “All U Need is Love” is an Insipid and Vaguely Authoritarian Hong Kong COVID Comedy
By
Brian Hioe
Japan
Review: In “Office Royale”, Japan’s Office Ladies Fight…to Preserve Patriarchy
By
Anthony Kao
Hong Kong
Review: “Hand-Rolled Cigarette” Shows Cross-Racial Friendship in Hong Kong’s Underworld
By
Brian Hioe
Japan
Review: “Under the Open Sky” Poignantly Depicts a Former Yakuza’s Societal Re-Entry
By
Anthony Kao
Taiwan
Review: Taiwanese Animation “City of Lost Things” Brings Litter to Life
By
Brian Hioe
South Korea
Review: “Escape from Mogadishu” Views North-South Korea Relations Through a Pragmatic Lens
By
Anthony Kao
More Articles