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2020

South Korea

Review: “Deliver Us from Evil” Offers Korean Action With a Thai Backdrop

By Anthony Kao

Taiwan

Review: Taiwanese Romcom “My Missing Valentine” Explores Perspective Through Breaks in Time

By Jamin Shih

Russia

Review: Russian Show “To the Lake” Entertainingly Bolsters Netflix’s Pandemic-Era Offerings

By Anthony Kao

South Korea

How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism

By Anthony Kao

Brazil

Review: Cannes Selection “Memory House” Is a Surrealistic Slow Burn That Fails to Satisfy

By Kieran Davey

India

Review: “The Disciple” Is a Necessarily Critical Ode to Hindustani Classical Music

By Arjun Baokar

South Korea

Review: “The Woman Who Ran” Is a Relaxed Triptych That Examines Women And Life

By Brenda Chang

China

Review: “Jiang Ziya” Features Chinese Mythology Told Through World-Class Animation

By Xingting Gong

China

Review: Jia Zhangke’s “Swimming Out Till the Sea Turns Blue” Meanders Through Modern Chinese Literature

By Anthony Kao

Japan

Review: “Wife of a Spy” Is an Elegant Musing on Japanese Fascism from a Civilian’s Perspective

By Akshay Suggula

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