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Pakistan

Review: Saim Saqid’s “Joyland” Explores Gender and Family in Pakistan

By Jianne Soriano

Thailand

Thai Twin Directors Wanweaw and Weawwan Hongvivatana Talk “You & Me & Me”, Their Charming Debut Movie

By Anthony Kao

Taiwan

Review: “Eye of the Storm” Reimagines Taiwan’s SARS Outbreak through a COVID-Tinged Lens

By Brian Hioe

South Korea

Review: Korean Action Thriller “Kill Boksoon” Offer Social Relevance and Emotional Undercurrents

By Jianne Soriano

China

Review: Chinese Sci-fi Prequel “The Wandering Earth II” Offers Epicness Amidst Subdued Times

By Anthony Kao

South Korea

Review: Netflix’s “The Glory” Is a Revenge K-Drama Highlighting the Pains of School Violence

By Jianne Soriano

United Arab Emirates

Review: With “The Ambush”, the UAE Tries Buying A Hollywood War Movie

By Anthony Kao

South Korea

Review: “Next Sohee” Captures the Emotional and Systemic Exploitation of South Korea’s Youth

By Jianne Soriano

Portugal

Review: Documentary “Cesária Évora” Is A Loving Testament to the Legendary Cabo Verdean Singer

By Kieran Davey

Singapore

Singapore Director Ken Kwek’s “#LookAtMe” Probes At Censorship and Homophobia

By Anthony Kao

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