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Russia
Interview: Russian Movie “Palmyra” Shows ISIS Foreign Recruitment From a Human Perspective
By
Anthony Kao
South Korea
Review: Netflix K-Drama “Start-Up,” From a Silicon Valley Insider’s Perspective
By
Richard Yu
South Korea
Review: “Deliver Us from Evil” Offers Korean Action With a Thai Backdrop
By
Anthony Kao
Taiwan
Review: Taiwanese Romcom “My Missing Valentine” Explores Perspective Through Breaks in Time
By
Jamin Shih
Russia
Review: Russian Show “To the Lake” Entertainingly Bolsters Netflix’s Pandemic-Era Offerings
By
Anthony Kao
Iran
Interview: Director Farnoosh Samadi On “180 Degree Rule,” Her Heart-Wrenching Feature Debut
By
Lorna Codrai
South Korea
How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism
By
Anthony Kao
Brazil
Review: Cannes Selection “Memory House” Is a Surrealistic Slow Burn That Fails to Satisfy
By
Kieran Davey
India
Review: “The Disciple” Is a Necessarily Critical Ode to Hindustani Classical Music
By
Arjun Baokar
Hong Kong
20 Years Later, “In the Mood for Love” Remains an Iconic View into 1960s Hong Kong Fashion
By
Jackie Chen
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