Cinema Escapist
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Interview: Joe Odagiri On “They Say Nothing Stays the Same,” His Scenic Directorial Debut
By
Keisuke Takaya
Japan
Review: “They Say Nothing Stays The Same” Tackles Westernization In Meiji-era Japan
By
Brenda Chang
South Korea
Review: Netflix’s “Record of Youth” Highlights Millennial Struggles in the Fashion Industry
By
Lindsay Wong
Taiwan
Review: Zombie Movie “Get the Hell Out” Satirizes the Spectacle of Taiwanese Politics
By
Jamin Shih
South Korea
Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society
By
Jackie Chen
South Korea
Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era
By
Anthony Kao
China
Review: “The Eight Hundred” Shows Valiant Chinese Heroes, But Falls Short of a Good War Movie
By
Richard Yu
Taiwan
Taiwan’s Stylish Romcom “IWeirDo” Tackles Love and Mental Illness with a Strong Visual Aesthetic
By
Jamin Shih
South Korea
Review: “Peninsula” Offers Ample Korean Zombie Action, But Less Originality
By
Woojin Lim
Japan
Review: Action-Packed “Labyrinth of Cinema” Conveys A Strong Anti-War Message
By
Lindsay Wong
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