News

South Korea

Review: “The Woman Who Ran” Is a Relaxed Triptych That Examines Women And Life

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China

Review: “Jiang Ziya” Features Chinese Mythology Told Through World-Class Animation

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Interviews

Interview: Chinese Director Wang Jing Talks “The Best Is Yet to Come,” His Debut at Venice and Toronto

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China

Review: Jia Zhangke’s “Swimming Out Till the Sea Turns Blue” Meanders Through Modern Chinese Literature

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China

“76 Days” Features Heart-Wrenching Footage of Wuhan During the Worst Days of COVID-19

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Japan

Review: “Wife of a Spy” Is an Elegant Musing on Japanese Fascism from a Civilian’s Perspective

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Iran

Review: Manijeh Hekmat’s “Bandar Band” Is An Empathetic Road Trip Through A Flood-Stricken Iran

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China

Review: “The Best Is Yet to Come” Views China’s Hepatitis B Discrimination Through An Auteur Lens

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Japan

Interview: Joe Odagiri On “They Say Nothing Stays the Same,” His Scenic Directorial Debut

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Venezuela

Review: “Once Upon a Time in Venezuela” Is an Immersive Dive Into a Vanishing Village

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