Cinema Escapist
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Reviews
Pakistan
Review: “Zindagi Tamasha” Tells Tale of Woe that Revolves Around Conservatism and Intolerance
By
Srujana Yadlapalli
Argentina
Review: “El Perro Que No Calla” Is A Slow-Moving Drama That Just Misses the Mark
By
Kieran Davey
Turkey
Review: “The Cemil Show” Tries Exploring Obsession and Turkey’s Yeşilçam Era
By
Lorna Codrai
South Korea
Review: “Space Sweepers” Is Korea’s First Sci-fi Blockbuster—with Blatant Commercial Ambitions to Boot
By
Anthony Kao
Italy
Review: Oscar-Submitted “Notturno” Paints a Hauntingly Beautiful Post-Conflict Levant
By
Anthony Kao
China
Review: Dante Lam’s “The Rescue” Glorifies China’s Ascendant Coast Guard
By
Richard Yu
Japan
Review: Netflix’s “Alice in Borderland” Uses Sci-Fi to Highlight Japanese NEETs’ Woes
By
Xingting Gong
China
Review: “The Old Town Girls” Uses Neo-Noir to Showcase Tragic Lives in China’s Rust Belt
By
Richard Yu
Taiwan
Review: “Your Name Engraved Herein” Is the Biggest LGBTQ Film of 2020
By
Justin Chor Yu Liu
South Korea
Netflix’s “Sweet Home” Is A Grim Drama About Humans And Monsters
By
Jianne Soriano
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