Cinema Escapist

Explore and connect the world through a cinematic lens

Menu
About Contact Write for Us
  • Africa
  • Asia
    East Asia Southeast Asia South Asia
  • Europe
  • Latin America
  • Middle East
About
Contact
Write for Us

Reviews

India

Review: “The White Tiger” Takes a Dark Look at the Indian Underclass’s Psyche

By Arjun Baokar

Japan

Review: “Aristocrats” Examines Social Class In Modern Day Tokyo

By Brenda Chang

Taiwan

Review: Taiwanese Shakespeare Adaptation “As We Like It” Subverts Traditional Theatrical Gender-Bending

By Jamin Shih

Hong Kong

Review: “Drifting” Highlights the Dark and Depressing Lives of Hong Kong’s Homeless Population

By Justin Chor Yu Liu

Pakistan

Review: “Zindagi Tamasha” Tells Tale of Woe that Revolves Around Conservatism and Intolerance

By Srujana Yadlapalli

Argentina

Review: “El Perro Que No Calla” Is A Slow-Moving Drama That Just Misses the Mark

By Kieran Davey

Turkey

Review: “The Cemil Show” Tries Exploring Obsession and Turkey’s Yeşilçam Era

By Lorna Codrai

South Korea

Review: “Space Sweepers” Is Korea’s First Sci-fi Blockbuster—with Blatant Commercial Ambitions to Boot

By Anthony Kao

Italy

Review: Oscar-Submitted “Notturno” Paints a Hauntingly Beautiful Post-Conflict Levant

By Anthony Kao

China

Review: Dante Lam’s “The Rescue” Glorifies China’s Ascendant Coast Guard

By Richard Yu

Follow CE

Sections

Africa

East Asia

Southeast Asia

South Asia

Europe

Latin America

Middle East

More

About

Contact

Write for us

© 2014-2026 Cinema Escapist, a 501(c)3 non-profit organization. All rights reserved.