2020

China

Review: “The Best Is Yet to Come” Views China’s Hepatitis B Discrimination Through An Auteur Lens

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Palestine

Review: “Gaza Mon Amour” Is an Irresistibly Charming Film About Love And Desire

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South Korea

Review: Netflix’s “Record of Youth” Highlights Millennial Struggles in the Fashion Industry

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Kazakhstan

Review: “Yellow Cat” Is a Whimsical and Artsy Kazakh Dark Comedy

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South Korea

Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society

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South Korea

Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era

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China

Review: “The Eight Hundred” Shows Valiant Chinese Heroes, But Falls Short of a Good War Movie

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Taiwan

Taiwan’s Stylish Romcom “IWeirDo” Tackles Love and Mental Illness with a Strong Visual Aesthetic

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Singapore

Interview: Yeo Yann Yann Talks “Invisible Stories,” Motherly Roles, and Singaporean Narratives

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South Korea

Review: “Peninsula” Offers Ample Korean Zombie Action, But Less Originality

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