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United Arab Emirates
Review: With “The Ambush”, the UAE Tries Buying A Hollywood War Movie
By
Anthony Kao
South Korea
Review: “Next Sohee” Captures the Emotional and Systemic Exploitation of South Korea’s Youth
By
Jianne Soriano
Portugal
Review: Documentary “Cesária Évora” Is A Loving Testament to the Legendary Cabo Verdean Singer
By
Kieran Davey
Singapore
Singapore Director Ken Kwek’s “#LookAtMe” Probes At Censorship and Homophobia
By
Anthony Kao
South Korea
Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date
By
Justin Chor Yu Liu
Ukraine
Review: Ukraine War Movie “Sniper: The White Raven” Offers Reliable Action At An Opportune Moment
By
Anthony Kao
Thailand
Review: Thai Movie “One For The Road” Blends Buddy Roadtrip with Emotional Drama
By
Richard Yu
Hong Kong
Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema
By
Justin Chor Yu Liu
South Korea
Review: “Escape from Mogadishu” Views North-South Korea Relations Through a Pragmatic Lens
By
Anthony Kao
Hong Kong
Review: Hong Kong Film “The Way We Keep Dancing” Chooses Not To Sell Out
By
Justin Chor Yu Liu
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