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Singapore
Singapore Director Ken Kwek’s “#LookAtMe” Probes At Censorship and Homophobia
By
Anthony Kao
South Korea
Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date
By
Justin Chor Yu Liu
Ukraine
Review: Ukraine War Movie “Sniper: The White Raven” Offers Reliable Action At An Opportune Moment
By
Anthony Kao
Thailand
Review: Thai Movie “One For The Road” Blends Buddy Roadtrip with Emotional Drama
By
Richard Yu
Hong Kong
Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema
By
Justin Chor Yu Liu
South Korea
Review: “Escape from Mogadishu” Views North-South Korea Relations Through a Pragmatic Lens
By
Anthony Kao
Hong Kong
Review: Hong Kong Film “The Way We Keep Dancing” Chooses Not To Sell Out
By
Justin Chor Yu Liu
Japan
Review: “A Family” Shows the Yakuza Aren’t so Glorious Anymore
By
Anthony Kao
India
Review: “Sardar Ka Grandson” Attempts a Heartwarming Post-Partition Story, but Lacks Necessary Depth
By
Srujana Yadlapalli
South Korea
Review: Netflix’s “Sweet & Sour” Shows Modern Korean Romance’s Socioeconomic Realities
By
Anthony Kao
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