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Singapore

Singapore Director Ken Kwek’s “#LookAtMe” Probes At Censorship and Homophobia

By Anthony Kao

South Korea

Review: “Broker” Is Hirokazu Kore-eda’s Maturest and Messiest Work to Date

By Justin Chor Yu Liu

Ukraine

Review: Ukraine War Movie “Sniper: The White Raven” Offers Reliable Action At An Opportune Moment

By Anthony Kao

Thailand

Review: Thai Movie “One For The Road” Blends Buddy Roadtrip with Emotional Drama

By Richard Yu

Hong Kong

Interview: Ann Hui Discusses Style, Purpose, and Expression Across Her Illustrious Career in Hong Kong Cinema

By Justin Chor Yu Liu

South Korea

Review: “Escape from Mogadishu” Views North-South Korea Relations Through a Pragmatic Lens

By Anthony Kao

Hong Kong

Review: Hong Kong Film “The Way We Keep Dancing” Chooses Not To Sell Out

By Justin Chor Yu Liu

Japan

Review: “A Family” Shows the Yakuza Aren’t so Glorious Anymore

By Anthony Kao

India

Review: “Sardar Ka Grandson” Attempts a Heartwarming Post-Partition Story, but Lacks Necessary Depth

By Srujana Yadlapalli

South Korea

Review: Netflix’s “Sweet & Sour” Shows Modern Korean Romance’s Socioeconomic Realities

By Anthony Kao

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