Cinema Escapist
Explore and connect the world through a cinematic lens
Menu
About
Contact
Write for Us
Africa
Asia
East Asia
Southeast Asia
South Asia
Europe
Latin America
Middle East
About
Contact
Write for Us
News
Japan
Review: “They Say Nothing Stays The Same” Tackles Westernization In Meiji-era Japan
By
Brenda Chang
Palestine
Review: “Gaza Mon Amour” Is an Irresistibly Charming Film About Love And Desire
By
Lorna Codrai
South Korea
Review: Netflix’s “Record of Youth” Highlights Millennial Struggles in the Fashion Industry
By
Lindsay Wong
Kazakhstan
Review: “Yellow Cat” Is a Whimsical and Artsy Kazakh Dark Comedy
By
Anthony Kao
Taiwan
Review: Zombie Movie “Get the Hell Out” Satirizes the Spectacle of Taiwanese Politics
By
Jamin Shih
South Korea
Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society
By
Jackie Chen
South Korea
Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era
By
Anthony Kao
China
Review: “The Eight Hundred” Shows Valiant Chinese Heroes, But Falls Short of a Good War Movie
By
Richard Yu
Philippines
Rae Red Talks “Babae at Baril,” Her Feminist Film About Philippine Realities
By
Jianne Soriano
Estonia
Review: “November” Offers a Fascinating Exploration of Estonian Folklore and Identity
By
Ben Treloar
More Articles