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Japan

Review: “They Say Nothing Stays The Same” Tackles Westernization In Meiji-era Japan

By Brenda Chang

Palestine

Review: “Gaza Mon Amour” Is an Irresistibly Charming Film About Love And Desire

By Lorna Codrai

South Korea

Review: Netflix’s “Record of Youth” Highlights Millennial Struggles in the Fashion Industry

By Lindsay Wong

Kazakhstan

Review: “Yellow Cat” Is a Whimsical and Artsy Kazakh Dark Comedy

By Anthony Kao

Taiwan

Review: Zombie Movie “Get the Hell Out” Satirizes the Spectacle of Taiwanese Politics

By Jamin Shih

South Korea

Review: “Lucky Chan-sil” Displays Burdens of Female Expectations in Korean Society

By Jackie Chen

South Korea

Review: Korea’s “#Alive” Is a Perfect Zombie Movie for the Coronavirus Era

By Anthony Kao

China

Review: “The Eight Hundred” Shows Valiant Chinese Heroes, But Falls Short of a Good War Movie

By Richard Yu

Philippines

Rae Red Talks “Babae at Baril,” Her Feminist Film About Philippine Realities

By Jianne Soriano

Estonia

Review: “November” Offers a Fascinating Exploration of Estonian Folklore and Identity

By Ben Treloar

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