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Drama

Tunisia

Review: Tunisia’s “Un Fils” Spotlights A Marriage and Country In Crisis

By Lorna Codrai

South Korea

Review: “The Man Standing Next” Stars Lee Byung-hun As Park Chung-hee’s Assassin

By Anthony Kao

Malaysia

Review: Netflix’s “The Ghost Bride” Brings Malaysian Chinese Superstition To Life

By Anthony Kao

South Korea

Review: K-Drama “Crash Landing On You” Appeals to Both Romantics and Political Junkies

By Anthony Kao

Taiwan

Review: “A Sun” Is A Meticulous Family Drama Worthy of Its Golden Horse Awards

By Anthony Kao

China

Review: How Did “The Shadow Play” Make It Past Chinese Censors?

By Richard Yu

South Korea

Why “Parasite” Is Bong Joon-ho’s Biggest Hit and Darkest Film Yet

By Minsoo Kim

China

Review: Chinese Movie Remake of “Midnight Diner” Falls Flat

By Richard Yu

Lebanon

Interview: Director Oualid Mouaness Talks “1982,” His Feature Film Debut

By Lorna Codrai

Independent Films

Justin Chon’s “Ms. Purple” Pays Homage to Asian Cultural Legacies

By Anthony Kao

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