News

Russia

Review: Russian Show “To the Lake” Entertainingly Bolsters Netflix’s Pandemic-Era Offerings

By

Iran

Interview: Director Farnoosh Samadi On “180 Degree Rule,” Her Heart-Wrenching Feature Debut

By

South Korea

How “Steel Rain 2: Summit” Trumpets South Korea’s Left-Wing Political Idealism

By

Brazil

Review: Cannes Selection “Memory House” Is a Surrealistic Slow Burn That Fails to Satisfy

By

India

Review: “The Disciple” Is a Necessarily Critical Ode to Hindustani Classical Music

By

Hong Kong

20 Years Later, “In the Mood for Love” Remains an Iconic View into 1960s Hong Kong Fashion

By

South Korea

Review: “The Woman Who Ran” Is a Relaxed Triptych That Examines Women And Life

By

China

Review: “Jiang Ziya” Features Chinese Mythology Told Through World-Class Animation

By

Interviews

Interview: Chinese Director Wang Jing Talks “The Best Is Yet to Come,” His Debut at Venice and Toronto

By

China

Review: Jia Zhangke’s “Swimming Out Till the Sea Turns Blue” Meanders Through Modern Chinese Literature

By